Thu. Dec 5th, 2024

Bollywood Films Embrace Hindu Nationalism Ahead of Indian Elections

As India’s elections draw near, a series of Bollywood films are amplifying Prime Minister Narendra Modi’s politics by embracing Hindu nationalism. One such film, “Swatantra Veer Savarkar,” glorifies Vinayak Damodar Savarkar, a key figure in Hindu nationalism, coinciding with a surge of other releases either supporting Modi’s agenda or critiquing his opponents.

This trend, analysts warn, risks deepening existing political and religious divisions in the country. Raja Sen, a film critic and screenwriter, notes a shift away from the traditional mix of nationalistic cinema and films promoting unity, now replaced by a wave of divisive narratives gaining acceptance.

Under Modi’s government, Bollywood has witnessed a surge in movies glorifying Hindu kings and the Indian Army, while portraying medieval Muslim rulers, leftists, opposition leaders, and even neighboring Pakistan as antagonists. The biopic on Savarkar, who advocated for India as a Hindu nation, epitomizes this trend.

Several upcoming films delve into contentious episodes, including the 2002 Gujarat riots and allegations against a Delhi university. Despite criticisms of inaccuracies and bias, these films often enjoy endorsements from Modi’s party and public figures, fueling debates on free expression and propaganda.

Director Sudipto Sen defends his film “The Kerala Story” as exposing the link between religious fundamentalism and terrorism without vilifying Muslims. However, critics argue that such films risk stoking communal tensions and distorting historical narratives.

Meanwhile, filmmakers critical of the government lament increasing censorship and self-censorship. Onir, known for his LGBTQ+ rights advocacy, highlights the challenges faced in depicting marginalized voices amidst growing political pressure and fear.

Despite concerns, divisive films continue to thrive commercially, reflecting an industry trend favoring sensationalism over artistic integrity. Sen calls for an artistic rebellion against this wave of divisive narratives, hoping for a return to cinema that fosters dialogue and understanding rather than polarization.

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